​​​​Pixomondo

VFX/VP Supervisor (October 2020 - Present)

​​​

• Now You See Me 3

• House of tthe Dragon (S2)

• Cada Minuto Cuenta

• Section 31

• Star Trek Discovery (Season 5)

• Matilda

• The Ambush

• Star Trek Discovery (Season 4)​

​

Spearheaded the development and implementation of new techniques for integrating real-time rendering and virtual production workflows.

​

Led cross-functional teams through all stages of production, from pre-visualization to final pixel, ensuring technical and artistic excellence.

​

Coordinated with directors, producers, and other stakeholders to align VFX strategies with creative vision and project goals.

​

Conducted in-depth research and development to innovate new methods for enhancing visual fidelity and efficiency in the VFX pipeline.

​

Managed complex shot sequences, overseeing the seamless integration of CG elements with live-action footage.

​

Implemented quality control measures and supervised the final rendering processes to ensure top-tier visual output.

​​

​

Pixomondo

CG Supervisor (August 2016 - October 2020)

​​​

• Star Trek Discovery (Season 1, 2, & 3)

• Power Rangers

• XXX: Return of Xander Cage​
   

  • ​​Managing established timeframes of all 3D artists to ensure scheduled delivery dates.

  • Assigning tasks, tutoring, creative and technical coaching of team members.

  • Supervising and reviewing the work of team members to ensure the highest possible quality.

  • Involved in essential planning of productions, set supervision, and quality assurance.

  • Keeping track of all work, assignments, and deadlines through Shotgun integrated software.

  • Contributed in development of overall studio pipeline.

  • Maintaining communication between all cg departments, and ensuring smooth transition of production stages.

​​

​

SpinVFX

Senior Model/Texture Artist (September 2015 - August 2016)

​

• The Expanse // Fear the Walking Dead // The Shallows // Incorporated // Rupture

  • Modeling, texturing, and shading of characters, environments, and various other assets for features and episodic television.

​

​

Taylor James

Senior Generalist (Freelance/ 2015 - 2016)

​

• Modeling, texturing, and shading of characters, environments, and various other assets for features and episodic television.

• Ensuring deadlines were met and that all work was properly handed off to other departments.

​

​​

Firstborn

Senior Generalist (Freelance/ 2015 - 2016)

​​

• Modeling, texturing, shading/lookdev, lighting, and rendering of assets for Patron VR experience; rendered using VRay for Maya and Nuke for compositing.

• Updating all aspects of visual elements for “Aflac” duck to be used for Print Ad.

​

​​

Loyal Kaspar

Senior Generalist (Freelance/ 2015 - 2016)

​

• Modeling, texturing, shading/look-dev, layout, lighting and rendering of full sequences for ESPN College Football TV Package.

• All rendering and lighting doe in VRay for Maya.

• Worked closely with compositors to ensure proper delivery of all rendered elements.

​

 

Framestore

Senior Generalist (Freelance/ 2014 - 2016)

​​

• Worked on various commercial projects doing modeling, texturing, and shading.

  ​​

​

Imaginary Forces

Senior Generalist (Freelance/ 2015)

​

• Worked on game cinematic for Splinter Cell; scope of work included character, prop, and environment modeling/texturing/shading/lighting and rendering.

​​

​​

Method Studios

Senior Generalist (Freelance/ 2014 - 2016)

​​

• Worked on various Commercial Packages including: Snapdragon and Gorilla Glass.

• Updated all textures of "Snapdragon" hero character for various commercials, using Mari for texturing and Arnold for Maya for rendering.

• Modeling, texturing, and look-dev of assets for Marvel's Avengers Age of Ultron VR Experience.

• Modeling and texturing of hero gorilla characters for commercial work, used Mari for all texture work and ZBrush for sculpting.​